Graphic design: Rūta Jumīte
Photo: Ēriks Božis
Photo: Ēriks Božis
For the Latvian Pavilion at the 59th International Art Exhibition – La Biennale di Venezia the artist duo Skuja Braden presents ‘Selling Water by the River’ – a rich installation of more than 300 objects, which features new commissions alongside work from the last 20 years. Curated by Solvita Krese and Andra Silapētere, Latvian Centre for Contemporary Art (LCCA), the exhibition sees the artists move their shared living space, located in the Latvian town of Aizkraukle, to the Arsenale of La Biennale di Venezia. This personal recreation will endeavor to address the shifting borders between private and public space within a wider social context. The exhibition is available for visits from the 23rd of April until the 27th of November, 2022.
For ‘Selling Water by the River’ Skuja Braden, an international artist collaboration born in 1999, between Ingūna Skuja from Latvia and Melissa D. Braden from California, have created a multilayered installation that maps the mental, physical, and spiritual areas of being and self within the artists’ own home. In doing so they hope to offer insight into different readings of the history of the Baltic region and to test the readiness of its current society to live up to the challenges of the present day, including the growing polarization of opinion. In the exhibition, home thereof is echoed by deeply personal images in porcelain, a material which the artists have mastered.
What shapes our understanding of public and private space, and what is our role in constructing these views? How can we fashion our surroundings to be as inclusive and open as possible? Where disagreements and conflicts often arise is where private and public spaces meet; a place where different values intersect. For example, the presence of the LGBTQIA+ community is still a sensitive topic in the Baltic and the broader region of Eastern Europe. Although times are changing, even within these regions, that which is different from heteronormativity has often clashed with conservative worldviews linked to a nationalist discourse within the framework of a tradition of a patriarchal society.
Co-curators Solvita Krese and Andra Silapētere say, “Skuja
Braden have chosen such a framework for their exhibition at
the Latvian Pavilion, because of the coming-to-be of their
unique selfhood and their queer self-identity and the time that
they spent together at a Zen Buddhist monastery in California
that has influenced it. Their confidence drawn from Buddhist
teachings, when mixed with a Californian free spirit and
experiences of post-socialist life into a singular mélange, helps
when it comes to finding solutions in these areas of conflict both
everyday situations and creative practice. Is the water different
in California, where Melissa is from, to the Daugava River, the
Latvian body of water on the banks of which lies Aizkraukle, a
town built under the auspices of Soviet industrialization, where
Ingūna grew up and where the artist duo lived and worked for
many years?”
The Latvian Pavilion is commissioned by the Ministry of
Culture of the Republic of Latvia, commissioner Solvita
Krese (LCCA), organised by the Latvian Centre for
Contemporary Art (LCCA) and executed by the creative
team: artists Skuja Braden (Ingūna Skuja, Melissa D. Braden),
curators Andra Silapētere and Solvita Krese (LCCA),
producer Kitija Vasiļjeva, architect Līva Kreislere, graphic
designer Rūta Jumīte, audiovisual solutions Alise Zariņa, art
handlers Aleksejs Beļeckis and Pauls Jēgers, light designer
Romāns Medvedevs, project manager Ieva Krūmiņa
(Ministry of Culture of the Republic of Latvia), project
assistant Gerda Čevere-Veinberga, and the communications
team of Copywriter/Levelup (Olga Procevska, Igors Gubenko,
Jekaterina Firfjane), Sofija Anna Kozlova (LCCA) and Alexia
Menikou (international communication). Assistants in
Venice: Mariona Baltkalne, Dita Miska, Ketrisa Petkeviča,
Marta Luīze Skābarde, Agnese Trušele and Karīna Volbeta.
Find out more:
http://www.latvianpavilion.lv/
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