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"The Latvian Collection" at the Latvian National Museum of Art

In collaboration with the Latvian Centre for Contemporary Art and the Malmö Art Museum in Sweden, from 14 December 2024 to 23 February 2025, an exhibition titled The Latvian Collection will take place in the Cupola Hall and 4th Floor Exhibition Halls of the Latvian National Museum of Art (Janis Rozentals Laukums 1, Riga). The exhibition will feature works by Latvian artists from the early 20th century, from the collection of the Malmö Art Museum, alongside new, complementary pieces by contemporary artists.

In 1939, the Malmö Art Museum received the Latvian Art Collection, offering a unique snapshot of Latvian art between the two world wars. This collection includes landscapes, portraits, still lifes, and scenography sketches, capturing the transition from the modernist experiments of the 1920s to the realism that defined European art in the 1930s. Thematically focusing on Latvian nature and glorifying ideas of national culture, the works reflect the cultural policy of Kārlis Ulmanis’s authoritarian regime.

After acquisition, the Latvian Art Collection was displayed at the Malmö Art Museum, but was then removed from permanent exhibition and remained unseen for decades. To further explore and contextualize the entire ensemble of 47 works, the collection was re-exhibited in its entirety at the Malmö Art Museum in 2022, in collaboration with the Latvian Centre for Contemporary Art. Now, 85 years after the collection was first assembled, some of these artworks are returning to Latvia this winter for the period of the exhibition.

The Latvian Collection in Riga is complemented by the vision of today’s artists through eight new contemporary artworks, which highlight overlooked narratives in the Latvian Art Collection and comment on broader issues related to nationalism and the birth of a nation state. These works by contemporary artists have been included in Malmö Art Museum’s collection, offering a contemporary interpretation and extension.

“The Latvian Art Collection in Malmö not only highlights the activities of the artists of that time and the political situation in Latvia, but also invites us to think about where, how, and whether works of Latvian art are available in foreign museum collections, and their stories – to international viewers,” Inga Lāce, one of the three curators of the exhibition, emphasizes.


By researching and adding works to the Latvian Art Collection, the Latvian Centre for Contemporary Art, the Malmö Art Museum, and the Latvian National Art Museum are building new bridges of communication. The participating artists – from Latvia, Sweden, Ukraine, Estonia, Denmark, Norway and Lithuania – are stimulating a wider discussion about freedom of speech and its fragility, as well as the role of art in politics and the social ecosystem, the creation of museum collections, and the participation of artists in formulating national narratives, cultural diplomacy, and national politics.

Exhibition The Latvian Collection will be accompanied by a diverse public program, including a meeting with the project curators, a discussion on the fate of Latvian artworks during World War II, an international symposium on the role and responsibilities of museums in 21st-century society, and a creative workshop for children and parents led by artist Ieva Kraule-Kūna. In February, the program will feature a performance-conversation show Carnival by the artist Makda Embaie, inspired by Jānis Tīdemanis dynamic painting Carnival, as well as a closing concert in collaboration with composer Henrijs Poikāns.


Participating artists:
Makda Embaie, Ieva Epnere, Ieva Kraule-Kūna, Santiago Mostyn and Susanna Marcus Jablonski, Lada Nakonechna, Jaanus Samma, Asbjørn Skou, and Anastasia Sosunova

Artists featured in the Latvian Art Collection at the Malmö Art Museum:
Jānis Aižens, Augusts Annuss, Arturs Apinis, Jēkabs Apinis, Kārlis Baltgailis, Jānis Cielavs, Jānis Cīrulis, Elza Druja, Erna Dzelme-Bērziņa, Eduards Dzenis, Otomija Freiberga, Jāzeps Grosvalds, Arvīds Gusārs, Eduards Kalniņš, Kārlis Krauze, Voldemārs Krastiņš, Jānis Kuga, Ludolfs Liberts, Milda Liepiņa, Jānis Liepiņš, Jūlijs Madernieks, Marija Induse-Muceniece, Oskars Norītis, Jānis Plēpis, Janis Rozentāls, Pēteris Rožlapa, Arijs Skride, Oto Skulme, Uga Skulme, Janis Šternbergs, Arvīds Štrauss, Niklāvs Strunke, Erasts Šveics, Leo Svemps, Zelma Tālberga, Jānis Tīdemanis, Valdemārs Tone, Konrāds Ubāns, Johans Valters (Johann Walter), Vilis Vasariņš, Ernests Veilands, Sigismunds Vidbergs, Vilhelms Purvītis, Kārlis Zāle, Teodors Zaļkalns, Rihards Zariņš.

Organisers:
The exhibition is organised by the Latvian Centre for Contemporary Art in collaboration with the Latvian National Museum of Art, Malmö Art Museum.

Supporters:
The exhibition is supported by the State Culture Capital Foundation, Riga City Council, Novum Riga Charitable Foundation, Embassy of Sweden, Danish Arts Foundation, Vivacolor.


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Organizers
Organized by: Latvian Centre for Contemporary Art in collaboration with Latvian National Museum of Art and Malmö Konstmuseum

Curators: Inga Lāce, Lote Lēvholma (Lotte Løvholm), Solvita Krese

Project Director: Mārīte Lempa (Latvian Centre for Contemporary Art)
Project Producer: Dr. art. Ginta Gerharde-Upeniece (Latvian National Museum of Art)

Exhibition Architect: Līva Kreislere

Exhibition Production:
Elīza Anna Reine (Latvian Centre for Contemporary Art)
Ieva Kalnača (Latvian National Museum of Art)

Exhibition installation: FormartLab, VPT Grupa

Exhibition Communication:
Dana Zālīte (Latvian Centre for Contemporary Art)
Luīze Mizga (Latvian National Museum of Art)

Graphic Design: Rūta Jumīte

Public Programme: Elīna Ķempele
Educational Programme: Alise Hofmane (Latvian National Museum of Art)
Supporters
The exhibition is supported by the State Culture Capital Foundation, Riga City Council, Novum Riga Charitable Foundation, Embassy of Sweden, Danish Arts Foundation, Vivacolor.
Detailed programme
RE-VISION: International panel discussion  focussed on a critical review of the roles and responsibilities of national museums as institutions of memory, identity and knowledge.
31 January, 16:00

In response to cultural, political, social, as well as economic change, a large number of art and other museums around the world have increasingly consistently turned to self-reflection in recent years. This has involved reviewing their role and responsibility in storing, creating and interpreting values and knowledge, as well as looking for new sustainable strategies in communicating with the audience.

Museums embody and shape their visitors' ideas about what is valuable, important and true. Today’s cultural and educational institutions can no longer avoid the need to adapt to rapidly changing societies and knowledge formation processes. As society becomes more and more globalized and, at least in the so-called Western world, the direction of liberal progressive politics has so far been dominant, national museums, often rooted in the ideals of the first half of the 20th century, are encouraged to reassess their traditional hegemony and reflect a broad diversity of perspectives and realities.

The discussion will focus on the current strategies and practices behind creation and communication of representative collections and exhibitions in a broader context of interrelationships between culture and politics. Focusing especially on the contemporary contextualization of historical values.

Participants:
- Director of the Pauls Stradiņš Medicine History Museum, one of the curators of the exhibition Life after Death. Remembrance Practices and the Museum Kaspars Vanags;
- Art historian and curator, working at the Art Museum of Estonia as the Head of the Painting Collection Liisa Kaljula (EST);
- Dr. Giedrius Gulbinas – Head of Expositions and Exhibitions Department at the National Gallery of Art in Vilnius (LT);
- Art scholar, exhibition curator at the Latvian National Museum of Art Agnese Lūcija Zviedre;
- Moderator: Art curator and critic, director of the LCCA Solvita Krese.


CARNIVAL. ‘’THE LATVIAN COLLECTION’’ CLOSING PROGRAMME 

23 February, 12:00–17:00, Latvian National Museum of Art

The closing programme of The Latvian Collection exhibition features three thematically connected events: a mask workshop, a performative talk show—an extension of Makda Embae's artwork If Joy Was the Door, What Would Be the Room?, featured in the exhibition—and a concert curated by composer Henrijs Poikāns, blending original compositions with contemporary arrangements of popular music from the 1920s and 1930s.

MASK WORKSHOP

12:00, Latvian National Museum of Art (LNMA) Workshops’ Room
(for all age groups)


Carnivals create a space where social norms and hierarchies are overturned and questioned. With just a few materials, you can transform into whoever or whatever you imagine! In this workshop, we will craft carnival-inspired masks, designed to be worn by both children and adults. The workshop draws inspiration from the dialogue between Jānis Tīdemanis' painting “Carnival” and Makda Embaie’s work “If Joy Was the Door, What Would Be the Room?”
Following the mask-making session, a talk show will take place, where participants are encouraged to bring and wear their masks.
The mask workshop will be held by Diāna Dimza-Dimme.

PERFORMATIVE TALK SHOW

13:00, LNMA 3rd-floor vestibule

Inspired by the dynamic painting “Carnival” by Jānis Tīdemanis, Makda Embae examines the carnival as a space and potential for joy and togetherness, highlighting community building as an alternative to nation building. The artist believes a carnival can activate the feeling of community and should function as a moment of gathering, which combines “Joy, togetherness and movement”. These concepts materialize simultaneously and together in the carnival.

“If joy was the door, what would be the room?” is a sound installation with a performative part that enters a dialogue with the painting “Carnival” and painter Jānis Tīdemanis. The sound installation holds an invitation to a closing of that dialogue through a carnival inspired talk show. The show will be hosted by artist Stacey de Voe who will guide the audience through the three pillars of the work – joy, community and movement, through a conversation with five invited guests – activists within the local communities in Riga - Ansis Bētiņš, Artūrs Čukurs, Ieva Raubiško, Konstance Saltupe un Mētra Saberova.

A carnival is more than a big party, it’s a very special happening where boundaries are stretched, and patterns are broken. In different places and different times, carnival has also manifested itself as political resistance against repressive power structures such as capitalism, imperialism and colonialism. Within this project, the festival reveals itself as a manifestation of an act of resistance interwoven with a sense of joy and community. Offering a completely new perspective on the structure of the world and life, challenging the limits of homogeneity and the stagnation of the modern world. Carnival ignores any distinction between actor and spectator. The spectators don’t go to carnivals, they are Carnival. A potential that the talk show format also holds, including the celebration of carnival culture, critical conversation and a sense of community. Historically, carnivals in Europe have been exclusive high-class parties, but everyone is invited to this party.

CONCERT
16:00, LNMA 3rd-floor vestibule

The closing event of the programme is a concert by the composer Henrijs Poikāns, whose repertoire includes music which most likely has been listened to by both the creators of “The Latvian Collection” exhibition and the authors of the artworks included in it. 

The concert repertoire was created as a synergy of popular music of the 1920s and 30s and contemporary music, thus creating a musical visualization of the era as well as reflecting on the cultural life of that time from a current point of view. The composer's arrangements will include elements from the foxtrots, tangos and waltzes in the compositions of Latvian composers and musicians of that time, as well as motifs from the music of foreign authors, which were heard in Latvia at the time.

The programme, composed by Henrijs Poikāns, will be performed by an ensemble of five musicians: clarinettist Anna Gāgane, violinist Gunārs Mūrnieks, accordionist Anta Puķīte, tuba player Eduards Lipāns, and percussionist Arnis Stepiņš. The joyful, dance-inducing spirit of the popular music of the 1920s and 30s will create an autonomous, yet organic expansion of the carnival mood introduced by Makda Embae.