Kabir Carter Performance "I-X"
Over a period of 10 hours, the artist presented a performance of 10 cycles. Kabir Carter is a performance, installation and sound architect from New York, whose long duration performances study the physical and emotional effects of private and public space, architecture and acoustics.
Visible Solutions LLC's Product Presentation Performance
"You may come across our product presentation in exhibition halls, shopping centres, train stations or while taking a walk outside. Every presentation lasts about two hours, during which we looped the 7 minute long introductory text to sell our products. Come and see! See and buy!"
Mārtiņš Roķis Audiovisual performance
The 40 minute long performance using 8 channels was an aestheticized psycho-acoustic and optical study creating a complex audio-visual composition that revealed the mechanisms that affect a human’s perception of time and space.
Mārtiņš Roķis experiments with sound in various forms and contexts, performing at experimental music concerts, creating installations and compositions for multi-channel sound systems. His main subjects of interest are the borders of human’s perception and the relationship between the body and space.
Ruben Patiño Performance "Nou Liquid Marble"
The space was modified to fit the performance – a series based on audiovisual events – in various parts of the space certain electronic tonalities were created. These were interrupted by the space and concurrent projections on TV screens.
Ruben Patiño works in the field of audiovisual media and computer generated music. His works are devoted to the spatial aspects of synthetically created music, at the same time, unifying elements of early electronic music, algorithmic composition and 20th century art movements in a hybrid territory.
Lee Gamble and Dave Gaskarth
Both artists formed together an audiovisual unit: Lee Gamble created music that could be likened to a carefully constructed collage that pulled the listener into a sea of detail and fragment synthesis, revealing deconstructed rave and jungle elements and close-ups of experimental abstractions.
These were complemented by Dave Gaskarth’s video works where he had brought together the rational order of images and stylistic purity, with edgy combinations of images and quotations.
Using digital synthesis methods which develop further disfigurations and re-configurations, a new material configuration was created ex nihilo.
Past and present musical ghosts, pseudo-science and sculptural influences were presented as new material abstractions created on a white digital canvas.